s - sempio
(single)
sr - single right
sl - single left (other steps follow this same
pattern)
d - doppio
(double)
t - saltarello
r - ripresa
c - continenza
v - mezavolta
w -
volta
z -
riverenza
As the manuscripts
say:
|
measure |
left |
middle |
right |
notes |
|
1 |
c
c |
c
c |
c
c |
|
|
2 |
sl
s |
sl
s |
sl
s |
|
|
3 |
d |
rl |
d |
middle turns
"back"
- later text indicates a 360 |
|
4 |
d |
rr |
d |
|
|
5 |
vr |
|
vr |
|
|
6 |
rl |
rl |
rl |
2 facing the
1 |
|
7 |
rr |
rr |
rr |
|
|
8 |
dl |
dl |
dl |
towards each
other |
|
9 |
sr
s |
sr
s |
sr
s |
volta del gioioso in
9-10 |
|
10 |
rr |
rr |
rr |
|
|
11 |
z |
sl
s |
z |
middle approaches
outer |
|
12 |
|
dl |
dl |
circling each other
in 12-13 |
|
13 |
|
d |
d |
|
|
14 |
dl |
dl |
|
circling each other
in 14-15 |
|
15 |
d |
d |
|
|
|
16 |
rl |
rl |
rl |
|
|
17 |
rr |
rr |
rr |
|
|
18 |
zl |
zl |
zl |
|
|
19 |
rl |
dl |
rl |
outers
"back" |
|
20 |
rr |
d |
rr |
|
|
21 |
vr |
v |
vr |
ending 2 facing the
1 |
|
22 |
rl |
rl |
rl |
|
|
23 |
rr |
rr |
rr |
|
|
24 |
tl |
tl |
tl |
middle passing
through outers |
|
25 |
t |
t |
t |
in
24-25 |
|
26 |
zl |
zl |
zl |
|
|
27 |
vr |
vr |
vr |
ending 2 facing the
1 |
|
28 |
rl |
rl |
rl |
|
|
29 |
rr |
rr |
rr |
|
|
30 |
sl
s |
sl
s |
sl
s |
|
|
31 |
zl |
zl |
zl |
facing, near each
other |
|
32 |
vr |
|
in
place |
|
|
33 |
zl |
zl |
zl |
|
|
34 |
||||
|
|
||||
|
|
Adding in all feet this becomes:
|
1 |
cl
cr |
cl
cr |
cl
cr |
|
|
2 |
sl
sr |
sl
sr |
sl
sr |
|
|
3 |
dl |
rl |
dl |
middle turns
"back"
- later text indicates a 360 |
|
4 |
dr |
rr |
dr |
|
|
5 |
vr |
|
vr |
|
|
6 |
rl |
rl |
rl |
2 facing the
1 |
|
7 |
rr |
rr |
rr |
|
|
8 |
dl |
dl |
dl |
towards each
other |
|
9 |
sr
sl |
sr
sl |
sr
sl |
volta del gioioso in
9-10 |
|
10 |
rr |
rr |
rr |
|
|
11 |
zl |
sl
sr |
zl |
middle approaches
outer |
|
12 |
|
dl |
dl |
circling each other
in 12-13 |
|
13 |
|
dr |
dr |
|
|
14 |
dl |
dl |
|
circling each other
in 14-15 |
|
15 |
dr |
dr |
|
|
|
16 |
rl |
rl |
rl |
|
|
17 |
rr |
rr |
rr |
|
|
18 |
zl |
zl |
zl |
|
|
19 |
rl |
dl |
rl |
outers
"back" |
|
20 |
rr |
dr |
rr |
|
|
21 |
vr |
v? |
vr |
ending 2 facing the
1 |
|
22 |
rl |
rl |
rl |
|
|
23 |
rr |
rr |
rr |
|
|
24 |
tl |
tl |
tl |
middle passing
through outers |
|
25 |
tr |
tr |
tr |
in
24-25 |
|
26 |
zl |
zl |
zl |
|
|
27 |
vr |
vr |
vr |
ending 2 facing the
1 |
|
28 |
rl |
rl |
rl |
|
|
29 |
rr |
rr |
rr |
|
|
30 |
sl
sr |
sl
sr |
sl
sr |
|
|
31 |
zl |
zl |
zl |
facing, near each
other |
|
32 |
|
vr |
|
in
place |
|
33 |
zl |
zl |
zl |
|
|
34 |
|
|
|
|
|
|
|
|
|
|
As you can see, the only problem is in measure 21, where feet get funky.This is usually an indication of an error somewhere.Take it,however, as you willMy guess would be it should be in no time, withthe turns on the appropriate feet to make it work, but that is just a really quick, off the cuff theory. I think the traditional reconstructions is as follows, though:
|
1 |
zl |
zl |
zl |
|
|
2 |
sl
sr |
sl
sr |
sl
sr |
|
|
3 |
dl |
rl |
dl |
|
|
4 |
dr |
rr |
dr |
|
|
5 |
vr |
|
vr |
|
|
6 |
rl |
rl |
rl |
2 facing the
1 |
|
7 |
rr |
rr |
rr |
|
|
8 |
dl |
dl |
dl |
towards each
other |
|
9 |
sr
sl |
sr
sl |
sr
sl |
volta del gioioso in
9-10 |
|
10 |
rr |
rr |
rr |
|
|
11 |
zl |
sl
sr |
zl |
middle approaches
outer |
|
12 |
|
dl |
dl |
circling each other
in 12-13 |
|
13 |
|
dr |
dr |
|
|
14 |
dl |
dl |
|
circling each other
in 14-15 |
|
15 |
dr |
dr |
|
end with middle
person flipping
in no time |
|
16 |
rl |
rl |
rl |
|
|
17 |
rr |
rr |
rr |
|
|
18 |
zl |
zl |
zl |
|
|
19 |
rl |
dl |
rl |
|
|
20 |
rr |
dr |
rr |
|
|
21 |
|
vl |
|
ending 2 facing the
1; volta
in 2 steps, not 3 |
|
22 |
rl |
rl |
rl |
|
|
23 |
rr |
rr |
rr |
|
|
24 |
tl |
tl |
tl |
middle passing
through outers |
|
25 |
tr |
tr |
tr |
in
24-25 |
|
26 |
zl |
zl |
zl |
|
|
27 |
rl |
rl |
rl |
turn in no time so 2
facing
the 1 |
|
28 |
rr |
rr |
rr |
|
|
29 |
sl
sr |
sl
sr |
sl
sr |
|
|
30 |
zl |
zl |
zl |
facing, near each
other |
|
31 |
|
vr |
|
in
place |
|
32 |
zl |
zl |
zl |
|
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